Elvis can’t strum a note. Still, many look for him During a nighttime shanghai. But these ghost-like hijacks Excite only hipsters and bruisers And cute, off-hour barista users Wearing their best lattes To catch the ships of myth.
Back on landlubber strip Alcoholics look like pimps. The 99 cent lady scratches Lottery tickets, chewing on mints. She yells at the gutter kids Who pee on sidewalk cracks. Children of insults and rip-offs Selling newspapers to news crews Their mouths askew with twisted views
Crooked grin from the bookstore girl. Her windows bashed in for no reason. Sells last year’s calendars & rusty rock pins. The trattoria boils millions in noodles Hiring from art school purgatory Haloed waitresses with yoga mats Channeling their inner schmooze Living off deep-fried borrowed blues.
The mayor rolls out sorted plans Sketches of the new Pantheon. City council sucks sugar tits From kiss-your-ass developments. While food carts form shanty towns For the visiting team’s hangovers. Their mascot yanking on his head Stuck In a permanent state of cheer.
The old urchins on their last barnacle Live back in the glory days Of cheap chiva, bad Bud, & noses caked with coke Taking bus rides to fake desperation Basking in their burn out, dabbling in Dysfunction. (A national holiday) Celebrated with bogged down Bloody Marys And get-well cards with handwritten Apologies for nothing... that’s gone wrong.
Simple melodies are the ones that are remembered. I offer one of mine. I hadn’t planned on releasing a composition so quickly following another, (July 15. It usually takes me a couple of months to complete an initial sketch) but I was rifling through old incomplete projects, when I stumbled upon this one that just needed slight editing. So, I decided to revisit it, think it over, and apply a narrative to it.
Instrumentation is two pianos, violin, cello, sample of a territory band from the twenties, Moog Spectravox, Behringer System 55 Modular Synthesizer.
“Power at her fingertips.” Made up of several found images taken by me and my two cameras.
The goal in Vietnam, he said, was to maim not kill.
It ties up resources, beds, hospitals
Doctors, systems, and puts stress on a country.
Killing just needs a burial or a burn.
–
He’s in a wheelchair now.
Sits in front of a television, volume turned up.
Still feeds the blue jays.
The seed is stolen by crows.
A bus picks him up once a week
To visit the VA hospital
Treating him for dementia and heart disease.
Talks about how he watches the caribou.
Molly doesn’t seem to notice.
Dichotomies are an interesting feature of the human condition. In of itself, dichotomy appears as a binary, representing a contrast. In “Watching the Caribou” I explore a version of dichotomy which becomes blurred. Charles, a vet and an ex-hunter, is somewhat of a hypocrite. In life, he shot, killed, and hurt, yet he celebrates nature and life, via watching caribou and makes sure his cat is well taken care of. In a twist of fate, he becomes the very thing he was ordered to do in Vietnam, becoming “tied” up in social services. Irony. In many ways, this reminded me of humanity as a whole, where there is a side of our institutions set up for violence (e.g. the military, police, etc.) and another side set up for peace (e.g. acceptance, love, etc.). Irony?
We fight amongst ourselves because there is no one else to fight, though we believe there must be…others. Our footsteps, indeterminate, conflicting rhythms, as if we are cockroaches running towards transformation, a change, of no presence, no reality. As if it is locked away in a room one wished existed. Still, we hear a song seeping through that room’s walls.
It’s her song, the singer who disappeared long ago, and it is a bitter elixir for our pang. We investigate its lingering melody and words like hunting dogs, but we can’t keep up with the number of wounds she sings into us, and our doctors can’t cure us of its beauty.
And now through our longing, she reveals herself or we conjure her, a semblance of her body, made up of spirit. We can see her open her mouth as if to sing but there is no sound. So, we put on the recording, and she sings along with herself, a self that was once alive… enough to place vibrations upon a static piece of media. She looks sad as her spirit mouth moves in sync with a mere copy.
This didn’t stop us from crowding ‘round her. We’re sorry but we can’t be destitute, can’t pretend, even if that would make her words materialize into harmony. Our crowd becomes thick, and her image disappears somewhere inside our throng. It’s too easy to forget to look for her, but we still hear the song.
We must have its sound and we don’t know whether it’s the song that inspires us to fight or our reaction to it. Perhaps it’s both that creates a hum in our ears. There’s no such thing as silence, no simplicity of solitude, no singular thought. We fight as a group. We fight amongst ourselves because there is no one else to fight, though we believe there must be…
(This piece is in response to Burke and Kant’s theories pertaining to the sublime.)
This poem is lyrics to a non-existent song. If you are a singer songwriter, please feel free to borrow it and arrange it the way you like. I’d love to hear it. …….Perhaps (and this is just a thought) there is no complete healing. We are meant to wear our scars. (Ironic for me to say. I have keloid). Healing is found in how we live with pain instead of how we cover it up or attempt to banish it from our lives.
“Another story just started. You must think I’m weird.”
“Sure, I like it.”
“I’m weirder than that. I don’t feel anything, just everything. Or I don’t feel everything, just anything. Does that make sense?”
“Yes, kind of. I understand what you mean.”
The rain stopped. Only drips were heard, falling off gutters and tree limbs.
“It’s so humid. That’s not normal for around here. And it’s changing. It seems there’s nothing we can do about it—it’s like those stories. I can’t find an end to them. I want them to end, but I don’t.”
“You can try. That’s what you’ve always done. Don’t worry, it’ll work out.”
“They keep my interest, but somehow, they’re waiting for something. Or is it me that’s waiting? Look how fast the steam is rising from the streets. You know, I think we’re like steam. First, we hit the streets hard like rain, then we move on, lighter.”
The sun poked out from behind a cloud.
“Sometimes I want to touch you, like no one has ever touched you before, but I only have these hands and they’re like everyone else’s.”
“I like the way you touch me.”
“Are my hands warm? I know I can be cold sometimes. There are different ways to touch.”
A couple of heavy raindrops fell unevenly from the sky. As if another downpour was about to start.
“Is all rain alike? I swear each raindrop touches the ground differently. I notice stuff like that. It’s soothing to me to listen to each storm, how different they are from one another. Do you think it’s true, that each raindrop creates a new life?”
“I don’t know. I guess it could be like that.”
The clouds began to move further apart from one another, and spots of blue sky appeared.
“There’s a sound to the dry days. It’s like voices rubbing against one another. I can make one or two of them out, for a while. I write those ones down. Then, I come back to read them. It’s gibberish, all just a bunch of gibberish. I’m scared the rain will stop forever.”
A pause, slightly comfortable, slightly uncomfortable.