The rate of speed in which we travel is unprecedented in human history. To think that for around one hundred years we have been able to speed through urban and rural spaces. These 100 years are a brief moment in comparison to our combined history.  

When I started to compose _Landscapes_, I initially thought of modernism and postmodernism in basic forms. The first pertaining to new systems. The latter pertaining to dismantling of systems. And it came to me that our modernisms are a story of movement, and this movement is accelerating. We’ve traveled through both eras, quickly. Our perception of the world (_Landscapes_) has been altered to perceive it at a different rate of velocity. Different perceptions lead to different conclusions. No wonder people are always telling one another to slow down. I question whether that’s even possible.  

_Landscapes_ is a composition of movement, of acceleration, of viewing landscapes at an ever-increasing rate of perception.  

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