Elvis can’t strum a note. Still, many look for him During a nighttime shanghai. But these ghost-like hijacks Excite only hipsters and bruisers And cute, off-hour barista users Wearing their best lattes To catch the ships of myth.
Back on landlubber strip Alcoholics look like pimps. The 99 cent lady scratches Lottery tickets, chewing on mints. She yells at the gutter kids Who pee on sidewalk cracks. Children of insults and rip-offs Selling newspapers to news crews Their mouths askew with twisted views
Crooked grin from the bookstore girl. Her windows bashed in for no reason. Sells last year’s calendars & rusty rock pins. The trattoria boils millions in noodles Hiring from art school purgatory Haloed waitresses with yoga mats Channeling their inner schmooze Living off deep-fried borrowed blues.
The mayor rolls out sorted plans Sketches of the new Pantheon. City council sucks sugar tits From kiss-your-ass developments. While food carts form shanty towns For the visiting team’s hangovers. Their mascot yanking on his head Stuck In a permanent state of cheer.
The old urchins on their last barnacle Live back in the glory days Of cheap chiva, bad Bud, & noses caked with coke Taking bus rides to fake desperation Basking in their burn out, dabbling in Dysfunction. (A national holiday) Celebrated with bogged down Bloody Marys And get-well cards with handwritten Apologies for nothing... that’s gone wrong.
Simple melodies are the ones that are remembered. I offer one of mine. I hadn’t planned on releasing a composition so quickly following another, (July 15. It usually takes me a couple of months to complete an initial sketch) but I was rifling through old incomplete projects, when I stumbled upon this one that just needed slight editing. So, I decided to revisit it, think it over, and apply a narrative to it.
Instrumentation is two pianos, violin, cello, sample of a territory band from the twenties, Moog Spectravox, Behringer System 55 Modular Synthesizer.
“Power at her fingertips.” Made up of several found images taken by me and my two cameras.
We fight amongst ourselves because there is no one else to fight, though we believe there must be…others. Our footsteps, indeterminate, conflicting rhythms, as if we are cockroaches running towards transformation, a change, of no presence, no reality. As if it is locked away in a room one wished existed. Still, we hear a song seeping through that room’s walls.
It’s her song, the singer who disappeared long ago, and it is a bitter elixir for our pang. We investigate its lingering melody and words like hunting dogs, but we can’t keep up with the number of wounds she sings into us, and our doctors can’t cure us of its beauty.
And now through our longing, she reveals herself or we conjure her, a semblance of her body, made up of spirit. We can see her open her mouth as if to sing but there is no sound. So, we put on the recording, and she sings along with herself, a self that was once alive… enough to place vibrations upon a static piece of media. She looks sad as her spirit mouth moves in sync with a mere copy.
This didn’t stop us from crowding ‘round her. We’re sorry but we can’t be destitute, can’t pretend, even if that would make her words materialize into harmony. Our crowd becomes thick, and her image disappears somewhere inside our throng. It’s too easy to forget to look for her, but we still hear the song.
We must have its sound and we don’t know whether it’s the song that inspires us to fight or our reaction to it. Perhaps it’s both that creates a hum in our ears. There’s no such thing as silence, no simplicity of solitude, no singular thought. We fight as a group. We fight amongst ourselves because there is no one else to fight, though we believe there must be…
(This piece is in response to Burke and Kant’s theories pertaining to the sublime.)
Ingredients: Rain, Light, Sky, Reflection, & Camera
This image is a reflection. It is water during a rainstorm travelling through a chute. The image was taken at dusk, creating the dark blue sky. The moon is a streetlamp’s reflection, but it is also the reason the water has reds, yellows, and looks like flame and lava.
I was intrigued by a post by a fellow blogger. She writes that her father sees the forest anew every time he ventures out into it. What she wrote resonated with my feelings about the composition. I see this image not as death and horror, which it certainly can be viewed as such, but a recycling, an epiphany of sorts, a transfiguration of how and what we think about the nature that surrounds us. We learn its language for the first time every time we engage with it.
Transfigure was composed with a series of photographs, collaging and a bit of sketching. Click on it to enlarge.