April is still cruel And this city? Still unreal. The snow will melt Daffodils will bloom Arrows will still fly Even Cupid shoots them With awkward aim
Are we mistaken to listen to the wind? That whisperer that works Its way between warm clothing ...Tickles, biting softly On the ends of our touch Imprinting its song on our necks.
“I would have never thought You would become my lover Having passed you In the hallway a thousand times Among the smell of floor wax Cafeteria food, and The slamming of locker doors. ...Excuse me I’m younger than that”
Now, in the city of Yonder Stands our orphan With his gun Walking along the edges Of an eternity of assumptions The quickest way to freeze Us into madness...oh, do not Ask what is it? Even Dorothy killed two witches And I swear The sky has been etherized.
For I have known it, known it all Have known evenings, mornings Afternoons Have known The familiarity of strangers My nose buried in their bosom Of warm, warm skin, bared to Gravity, orbit, & galaxies Moving...moving... Moving
“What a Sunday drive it was Unplanned, without directions. The heat of summer blew Into our rolled down windows”
O you who turn the wheel and look to windward, Consider.
In this poem, I abstracted lines of famous poems and lyrics to shape my own poem out of them. Along with the poem I added on of my abstract images. Thanks!
Click on this image to hear the music composition _Landscapes_. (Blue hour on Mt. Tabor)
The rate of speed in which we travel is unprecedented in human history. To think that for around one hundred years we have been able to speed through urban and rural spaces. These 100 years are a brief moment in comparison to our combined history.
When I started to compose _Landscapes_, I initially thought of modernism and postmodernism in basic forms. The first pertaining to new systems. The latter pertaining to dismantling of systems. And it came to me that our modernisms are a story of movement, and this movement is accelerating. We’ve traveled through both eras, quickly. Our perception of the world (_Landscapes_) has been altered to perceive it at a different rate of velocity. Different perceptions lead to different conclusions. No wonder people are always telling one another to slow down. I question whether that’s even possible.
_Landscapes_ is a composition of movement, of acceleration, of viewing landscapes at an ever-increasing rate of perception.
Click on the image above or the image link to Soundcloud below to listen. Thanks so much!
Mountains and hills have their own weather. You can see in the distance on Tillamook Head, it’s raining on an otherwise blue sky day.
Underneath the bridge Old bricks Hold onto streets Unaffected by wind Weather fronts Rolling tires
We walk them as Train tracks slice through Gazing at high grass Growing between the mortar During a downpour of days And the cold slant of weeks
There are others there Tents, rigs, and schizophrenia Blue tarps & wagon carts Their bikes Ride rough Over the bricks
Waiting for trains to pass We still watch the grass Bent by the weight of seeds Swaying with the train’s draft Raindrops, faces, and reflections On Amtrak windows
Further up The streets throw away Their numbers Taking on names Of everyone in particular Where bricks give way To multi-layered pavement And rainwater moves easily Into green street planters
Frozen Lake Pamelia in early January 2025Mt. Jefferson poking its head up into the sun from the dark forested bowl of Lake Pamelia.Kitty footprints. There were a few tracks near the lake. That’s a big meow.
Mt. Saint Helens a week before the snow arrives.This image fascinated me. This is because it changes the perspective of seeing this view live. That’s a river down there and the lake in the distance is miles away. The Toutle River was scraped by all the sediment and debris from the volcanic explosion. Decades later, you can still see the leftover damage. Damage?
And I don’t know why I want to begin with and. Perhaps, it’s because my life is a conjunction, where I’m continually moving from and to persons, places, and things. Just like you, I’m always in the middle of something.
Yet, and is tricky. One must be careful to avoid “this bad thing happened, and that led to this bad circumstance.” One might try to mediate their way out of that kind of and with long engagements with commas, em-dashes - semi-colons; and (parenthesis.) But that is precarious and can lead to stringing things out for too long. I think the answer is found by being careful with ands and taking time and patience to produce good ands.
Some ands that I have planned out have become successful, such as writing and revising. I think one of the coolest is “We met and fell in love.” And an and can be friendly and downright cute. How could pralines and cream exist without a nice and to bring them together? And what about the ampersand? How many symbols can look cool and bring clauses together at the same time? Hyphen, em-dash? They don’t come close. Where would we be without ands? The beginning? Nowhere to go? The end, plain, simple, uneventful?
So, I guess my desire to start with and is my way of honoring the conjunction, for this ode is a continuation from all my writing before to all my writing to come. Pronouns, proper names and objects are wonderful places to begin, and I highly recommend them, and I wouldn’t be writing without them. But nothing would continue for anything or anybody without an and.
Welcome to my second installation of images! If you’re on a computer instead of a phone, you can click on any image to enlarge it. Check out Images 1 here.
Abstracts
TwinezFrozen MovementPinched SkyGrass Mirage
Monochrome & Minimal
Edge’s EndDoors of PerceptionDark GrainLone
Nature
Black Butte from Three Fingered JackEarly MorningCloud Catcher Lost Lake with Sasquatch looking on.Winter on Coyote Wall
People
ThoughtsDissenterFather & Daughter at the Ocean in Early Spring1st Annual Gothic Boat Paddle Race