Spillwords published a short story of mine. The Death of Art. I like Spillwords because it’s WordPress’s magazine, with an editor. So, it’s connected to WP while being its own entity. The story, if you haven’t read it already, is a mix between Stream of Consciousness (James Joyce, Proust, and others) and Edgar Allen Poe’s Single Effect Theory. It’s a horror story…maybe. I tend to like implementing multiple themes. It’s not an easy thing to do. The story is not long. It would qualify as Flash Fiction, which is perfect for the internet. Give it a like using your WP account as access to Spillwords and take advantage of Spillwords yourself! The link to the story and Spillwords is below. Thank you for the support! I’ll be reading your posts!
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The old ones
Who witnessed centuries
Of life, love, & lingering seeds
In soil, of grasses, and youth
The greenest and driest
Of our leaves
All born of the same soil
Connected by roots and rock
On this soft shell blue marbled
Mist...manifested
Long before thoughts coalesced
Into abstracting objects of speed
And decay
While days accelerate
For reasons that can't be wrenched
Nor pried from the hardened pitch
Lives measure outward
Until years have aged
Their weathered bark
Skin
Yes, I speak of our skin
No longer supple & smooth
Furrowed, rumpled by
Love’s attempts and its fruitions
As if all truth and heartbreak
Have folded in upon themselves
Movements forward and backwards
Are figments of a collective imagination
Enveloped in ideology and romance
Still
The old ones, reach for the sky
With only the wind to aid their voice
Adding
To lucid stories of the embellished heart
While we, the amplified souls
Listen

A trail near a lake called Burnt Lake. Might be a little hard to see on a phone. 
This is the trunk of an old growth tree. There not many of them left. They look a little different than other trees. -
A cougar is perched up high in a yellow pine, hidden. Below him, a trail cuts through grasses, and I see his paw print in bare dirt, formed when the mud was thick. Now, it’s dried into cracks, wrinkles in earth, his movement of the past solidified. He doesn’t worry about me, the noisy one, whose feet crunch upon leaves, dried long before the last of summer appears.
The turf is so dry and brittle. It’s a fragile crust. One hard step and I think the entire world would crumble. Flowers of the new spring have already begun to wilt, dropping petals. Their flakes stick to my socks, scratch my ankles.
Even now, the grass begins copying the color of the sun. No matter how good of a watcher you are, you can miss their intricacies, their dance with the wind, a courtship of eons, and their ever-slow movement, a reach for light.
Breaking into the sky, Adams, Hood, St. Helens, even Ranier surround themselves in blue. Their heads adorned with hats made of clouds, attempting to pierce gravity, the last mystery.
Sometimes I worry about movement…the sun, the earth, our movement…my movement. It’s too easy to believe in one singular movement, especially my own.
The cougar will come down from the yellow pine at dusk, when it’s difficult to see him. He is the color of the sun. He will use the sound of the dry flowers and deep grass… and when the coming night quiets the wind, he will search for the slightest movements.

Somewhere near the Klickitat River. 
Eastern part of the Columbia River Gorge. -
How cold this river runs
How cruel this river runs
All light is caught in a freeze
Here, the water has no peace
All is numbed by an endless rain
I swear the moon has a crease
Her voice is just below the ravine
I try to silence the refrain
Her song echoes above the trees
I see her in the river’s current
I think I can catch her
Bring her back up
If only to the coldest of sunshine
My fingers slide upon her skin
But she slips through my grasp
So, I look downstream
To catch a glimpse of her
I drink from the hidden lake
Clear, cold, and clean
I dance upon winter’s snow
On the edge of everything
The leaves have fallen low
No telling what they’ve seen
Soon the river will meet the sea
Where all lies will finally cease

When the Willamette River meets the Columbia River, the latter breaks up and forms a delta of islands until it converges downstream. (A clue? Is this poem really a murder ballad?) 
The Clackamas River near an interesting little town named Three Lynx. -
April is still cruel
And this city? Still unreal.
The snow will melt
Daffodils will bloom
Arrows will still fly
Even Cupid shoots them
With awkward aim
Are we mistaken to listen to the wind?
That whisperer that works
Its way between warm clothing
...Tickles, biting softly
On the ends of our touch
Imprinting its song on our necks.“I would have never thought
You would become my lover
Having passed you
In the hallway a thousand times
Among the smell of floor wax
Cafeteria food, and
The slamming of locker doors.
...Excuse me
I’m younger than that”Now, in the city of Yonder
Stands our orphan
With his gun
Walking along the edges
Of an eternity of assumptions
The quickest way to freeze
Us into madness...oh, do not
Ask what is it?
Even Dorothy killed two witches
And I swear
The sky has been etherized.
For I have known it, known it all
Have known evenings, mornings
Afternoons
Have known
The familiarity of strangers
My nose buried in their bosom
Of warm, warm skin, bared to
Gravity, orbit, & galaxies
Moving...moving...
Moving“What a Sunday drive it was
Unplanned, without directions.
The heat of summer blew
Into our rolled down windows”O you who turn the wheel
and look to windward,
Consider.
In this poem, I abstracted lines of famous poems and lyrics to shape my own poem out of them. Along with the poem I added on of my abstract images. Thanks! -
Cherry blossoms upon brittle limbs
brave the last chill, the wake of winter.
Gathered lovers, having shed buds
from hibernation, adorn pastel dresses
of heavy chiffon, the color of faded hearts.
Waiting for warmer touches
the soft ebb of spring’s smitten sun.
Knowing
the ground awaits their fleeting bloom.
A digital doodle of mine. -

Click on this image to hear the music composition _Landscapes_. (Blue hour on Mt. Tabor) The rate of speed in which we travel is unprecedented in human history. To think that for around one hundred years we have been able to speed through urban and rural spaces. These 100 years are a brief moment in comparison to our combined history.
When I started to compose _Landscapes_, I initially thought of modernism and postmodernism in basic forms. The first pertaining to new systems. The latter pertaining to dismantling of systems. And it came to me that our modernisms are a story of movement, and this movement is accelerating. We’ve traveled through both eras, quickly. Our perception of the world (_Landscapes_) has been altered to perceive it at a different rate of velocity. Different perceptions lead to different conclusions. No wonder people are always telling one another to slow down. I question whether that’s even possible.
_Landscapes_ is a composition of movement, of acceleration, of viewing landscapes at an ever-increasing rate of perception.
Click on the image above or the image link to Soundcloud below to listen. Thanks so much!

Mountains and hills have their own weather. You can see in the distance on Tillamook Head, it’s raining on an otherwise blue sky day.



